4/15/2014

Tenebræ

Listen to Alegrie's MISERERE


Tenebræ is the name given to the service of Matins and Lauds belonging to the last three days of Holy Week. This service, as the "Cæremoniale episcoporum" expressly directs, is to be anticipated and it should be sung shortly after Compline "about the twenty-first hour", i.e. about three p.m. on the eve of the day to which it belongs. "On the three days before Easter", says Benedict XIV (Institut., 24), "Lauds follow immediately on Matins, which in this occasion terminate with the close of day, in order to signify the setting of the Sun of Justice and the darkness of the Jewish people who knew not our Lord and condemned Him to the gibbet of the cross." Originally Matins on these days, like Matins at all other seasons of the year, were sung shortly after midnight, and consequently if the lights were extinguished the darkness was complete. That this putting out of lights dates from the fifth century, so far at least as regards the night Office, is highly probable. Both in the first Ordo Romanus and in the Ordo of St. Amand published by Duchesne a great point is made of the gradual extinction of the lights during the Friday Matins; though it would seem that in this earliest period the Matins and Lauds of the Thursday were sung throughout with the church brightly illuminated (ecclesia omni lumine decoretur). On Friday the candles and lamps were gradually extinguished during the three Nocturns, while on Saturday the church was in darkness from beginning to end, save that a single candle was kept near the lectern to read by.

All this suggests, as Kutschker has remarked, that the Office of these three days was treated as a sort of funeral service, or dirge, commemorating the death of Jesus Christ. It is natural also that, since Christ by convention was regarded as having lain three days and three nights in the tomb, these obsequies should have come in the end to be celebrated on each of the three separate occasions with the same demonstrations of mourning. There can be no reasonable doubt that it was from the extinguishing of lights that the service came to be known as Tenebræ, though the name itself seems to have arisen somewhat later. The liturgist de Vert has suggested an utilitarian explanation of the putting out of the candles one by one, contending that the gradual approach of the dawn rendered the same number of lights unnecessary, and that the number was consequently diminished as the service drew to a close. This view seems sufficiently refuted by the fact that this method of gradual extinction is mentioned by the first Ordo Romanus on the Friday only. On the Saturday we are explicitly told that the lights were not lit. Moreover, as pointed out under HOLY WEEK, the tone of the whole Office, which seems hardly to have varied in any respect from that now heard in our churches, is most noticeably mournful--the lessons taken from the Lamentations of Jeremias, the omission of the Gloria Patri, of the Te Deum, and of blessings etc., all suggest a service cognate to the Vigiliæ Mortuorum, just as the brilliant illumination of the Easter eve spoke of triumph and of joy, so the darkness of the preceding night's services seems to have been designedly chosen to mark the Church's desolation. In any case it is to be noticed that the Office of these three days has been treated by liturgical reformers throughout the ages with scrupulous respect. The lessons from Jeremias in the first Nocturn, from the Commentaries of St. Augustine upon the Psalms in the second, and from the Epistles of St. Paul in the third remain now as when we first hear of them in the eighth century.

The Benedictine Order, who normally have their own arrangement of psalms and nocturns, differing from the Roman, on these three days conform to the ordinary Roman practice. Even the shifting of the hour from midnight to the previous afternoon, when no real darkness can be secured, seems to have been prompted by the desire to render these sublime Offices more accessible to clergy and laity. Already in the thirteenth century it seems probable that at Rome Tenebræ began at four or five o'clock on the Wednesday (see Ord. Rom., xiv, 82, and Ord. Rom., xv, 62). Despite the general uniformity of this service throughout the Western Church, there was also a certain diversity of usage in some details, more particularly, in the number of candles which stood in the Tenebræ hearse, and in some accretions which, especially in the Sarum Use, marked the termination of the service. With regard to the candles Durandus speaks of as many as seventy-two being used in some churches and as few as nine or seven in others. In England the Sarum Ordinal prescribed twenty-four, and this was the general number in this country, variously explained as symbolizing the twenty-four hours of the day, or the twelve Apostles with the twelve Prophets. A twenty-fifth candle was allowed to remain lighted and hidden, as is done at the present day, behind the altar, when all the others had been gradually extinguished. At present, the rubrics of the "Ceremoniale," etc., prescribe the use of fifteen candles. The noise made at the end of Tenebræ undoubtedly had its origin in the signal given by the master of ceremonies for the return of the ministers to the sacristy. A number of the earlier Ceremoniales and Ordines are explicit on this point. But at a later date others lent their aid in making this knocking. For example Patricius Piccolomini says: "The prayer being ended the master of ceremonies begins to beat with his hand upon the altar step or upon some bench, and all to some extent make a noise and clatter." This was afterwards symbolically interpreted to represent the convulsion of nature which followed the death of Jesus Christ.


The Dolorous Passion of Our Lord Jesus Christ

 


FROM THE MEDITATIONS OF

ANNE CATHERINE EMMERICH

Anne Catherine Emmerich (1774-1824)Mystic, Stigmatist, Visionary, and Prophet

Ven. Anne Catherine Emmerich, an Augustinian nun, stigmatic, and ecstatic, born 8 September, 1774, at Flamsche, near Coesfeld, in the Diocese of Münster, Westphalia, Germany; died at Dulmen, 9 February, 1824.

Her parents, both peasants, were very poor and pious. At twelve she was bound out to a farmer, and later was a seamstress for several years. Very delicate all the time, she was sent to study music, but finding the organist's family very poor she gave them the little she had saved to enter a convent, and actually waited on them as a servant for several years. Moreover, she was at times so pressed for something to eat that her mother brought her bread at intervals, parts of which went to her master's family. In her twenty-eighth year (1802) she entered the Augustinian convent at Agnetenberg, Dulmen. Here she was content to be regarded as the lowest in the house. Her zeal, however, disturbed the tepid sisters, who were puzzled and annoyed at her strange powers and her weak health, and notwithstanding her ecstasies in church, cell, or at work, treated her with some antipathy. Despite her excessive frailty, she discharged her duties cheerfully and faithfully. When Jerome Bonaparte closed the convent in 1812 she was compelled to find refuge in a poor widow's house. In 1813 she became bedridden. She foresaw the downfall of Napoleon twelve years in advance, and counseled in a mysterious way the successor of St. Peter. Even in her childhood the supernatural was so ordinary to her that in her innocent ignorance she thought all other children enjoyed the same favours that she did, i.e. to converse familiarly with the Child Jesus, etc. She displayed a marvellous knowledge when the sick and poor came to the "bright little sister" seeking aid; she knew their diseases and prescribed remedies that did not fail. By nature she was quick and lively and easily moved to great sympathy by the sight of the sufferings of others. This feeling passed into her spiritual being with the result that she prayed and suffered much for the souls of Purgatory whom she often saw, and for the salvation of sinners whose miseries were known to her even when far away. Soon after she was confined to bed (1813) the stigmata came externally, even to the marks of the thorns. All this she unsuccessfully tried to conceal as she had concealed the crosses impressed upon her breast.
Then followed what she dreaded on account of its publicity, an episcopal commission to inquire into her life, and the reality of these wonderful signs. The examination was very strict, as the utmost care was necessary to furnish no pretext for ridicule and insult on the part of the enemies of the Church. The vicar-general, the famous Overberg, and three physicians conducted the investigation with scrupulous care and became convinced of the sanctity of the "pious Beguine", as she was called, and the genuineness of the stigmata. At the end of 1818 God granted her earnest prayer to be relieved of the stigmata, and the wounds in her hands and feet closed, but the others remained, and on Good Friday were all wont to reopen. In 1819 the government sent a committee of investigation which discharged its commission most brutally. Sick unto death as she was, she was forcibly removed to a large room in another house and kept under the strictest surveillance day and night for three weeks, away from all her friends except her confessor. She was insulted, threatened, and even flattered, but in vain. The commission departed without finding anything suspicious, and remained silent until its president, taunted about his reticence, declared that there was fraud, to which the obvious reply was: In what respect? and why delay in publishing it? About this time Klemens Brentano, the famous poet, was induced to visit her; to his great amazement she recognized him, and told him he had been pointed out to her as the man who was to enable her to fulfil God's command, namely, to write down for the good of innumerable souls the revelations made to her. He took down briefly in writing the main points, and, as she spoke the Westphalian dialect, he immediately rewrote them in ordinary German. He would read what he wrote to her, and change and efface until she gave her complete approval. Like so many others, he was won by her evident purity, her exceeding humility and patience under sufferings indescribable. With Overberg, Sailer of Ratisbon, Clement Augustus of Cologne, Stollberg, Louisa Hensel, etc., he reverenced her as a chosen bride of Christ.
In 1833 appeared the first-fruits of Brentano's toil, "The Dolorous Passion of Our Lord Jesus Christ according to the Meditations of Anne Catherine Emmerich" (Sulzbach). Brentano prepared for publication "The Life of The Blessed Virgin Mary", but this appeared at Munich only in 1852. From the manuscript of Brentano Father Schmoeger published in three volumes "The Life of Our Lord" (Ratisbon, 1858-80), and in 1881 a large illustrated edition of the same. The latter also wrote her life in two volumes (Freiburg, 867-70, new edition, 1884). Her visions go into details, often slight, which give them a vividness that strongly holds the reader's interest as one graphic scene follows another in rapid succession as if visible to the physical eye. Other mystics are more concerned with ideas, she with events; others stop to meditate aloud and to guide the reader's thoughts, she lets the facts speak for themselves with the simplicity, brevity, and security of a Gospel narrative. Her treatment of that difficult subject, the twofold nature of Christ, is admirable. His humanity stands out clear and distinct, but through it shines always a gleam of the Divine. The rapid and silent spread of her works through Germany, France, Italy, and elsewhere speaks well for their merit. Strangely enough they produced no controversy. Dom Guéranger extolls their merits in the highest terms (Le Monde, 15 April, 1860).
Sister Emmerich lived during one of the saddest and least glorious periods of the Church's history, when revolution triumphed, impiety flourished, and several of the fairest provinces of its domain were overrun by infidels and cast into such ruinous condition that the Faith seemed about to be completely extinguished. Her mission in part seems to have been by her prayers and sufferings to aid in restoring Church discipline, especially in Westphalia, and at the same time to strengthen at least the little ones of the flock in their belief. Besides all this she saved many souls and recalled to the Christian world that the supernatural is around about it to a degree sometimes forgotten. A rumour that the body was stolen caused her grave to be opened six weeks after her death. The body was found fresh, without any sign of corruption. In 1892 the process of her beatification was introduced by the Bishop of Münster.
Listen to the Dolorous Passion of Our Lord Jesus Christ by Ven. Anne Catherine Emmerich

The Dolorous Passion of Our Lord Jesus Christ Part X